The Chamber Idyll

And then I got to thinking about wood engraving, and in particular about this little beauty - little indeed; the original image is barely three inches by one and a half. It's The Chamber Idyll by Edward Calvert, and it's in Tate Britain, though I don't think it's on display at the moment. An exquisitely beautiful - and erotically charged - work, it's beautifully composed, atmospheric, packed with meaning and amazingly delicately engraved. And yet Calvert only had a few years' experience of wood engraving when he made it, in 1831, and it was apparently the last work he produced in this medium. Calvert was one of the Ancients, the disciples of William Blake who for a few magical years gathered around Samuel Palmer in Shoreham. Later, like Palmer himself, Calvert went into an artistic decline (though Palmer's imagination flared up again in his late etchings and watercolours). Calvert spent the rest of his long life painting competently in a kind of vapid classical style, and the engravings of his golden period remained unseen by the world. Then, ten years after his death, an edition of his wood and copper engravings was published by his son, who later donated The Chamber Idyll to the Tate. The British Museum also has some Calvert prints, but The Chamber Idyll is surely his masterpiece.