It was 200 years ago today that John Keats died, in Rome, of the tuberculosis that had already carried off his brother Tom. It is one of the saddest deaths in literary history, made still more so by the poet's heartbreaking last letter ('... I can scarcely bid you good bye even in a letter. I always made an awkward bow. God bless you!'). Whatever his headstone in the Protestant Cemetery may say, his name was not 'writ in water', and the bicentenary of his death is being duly marked with some Covid-friendly low-key events. Radio 4's Today programme called on Ruth Padel to read a poem she had written for the occasion. At least, they said it was a poem but, listening to it, you'd be hard put to distinguish it from prose, and very dull prose at that.
Regular readers of this blog will know how much I love Keats, as poet, man and letter-writer, though I love him rather more as man and letter-writer than as poet. Certainly he wrote half a dozen or so of the greatest poems in the language, but if I could save only the letters or the poems from the wreck of civilisation, I would choose the letters, for the infinite riches they contain and for what they show us of human character at its best. However, I'm going to mark this day with a poem – one that Keats wrote in 1817, at the age of 21, and which I think is quite startlingly brilliant (and too little known):
On Seeing the Elgin Marbles
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