Sunday, 3 August 2025

'Orange merchants', 'orange children'...

In the course of researching my butterfly book, I read as many butterfly poem as I could find – and most of them, barring Emily Dickinson's fantastic flights and Janet Lewis's wonderful The Insect (you'll find it at the end of this post) – were pretty unsatisfactory, tending to be more about the poet than the butterfly, and almost never evoking a particular species. Well, now I've found two poems (and potentially 61 poems) devoted to a singles species – the Monarch.
  The two poems are in an interesting Everyman's Library anthology, Conversation Pieces: Poems that Talk to Other Poems – poems that, to quote the Introduction, 'respond to earlier poems – they argue with, elaborate on, recast, poke fun at or pay tribute to their inspiration'. The two Monarch poems are in the section 'Variations on a Theme', though they could equally well have been in 'Rebukes and Rebuttals', or indeed 'He Said, She Said'. The first is by Robert Duncan, a poet I might well have read in my deluded youth when I was very taken with the 'New American Poetry', but I remember nothing of his. He was a big figure in the avant-garde literary and artistic world in his day, and indeed on the gay scene (according to Wikipedia, he had an affair with Robert de Niro's father, an abstract painter). Here is a charcoal drawing of him in old age, by R.B. Kitaj –


– and here is the poem:

Roots and Branches

Sail, Monarchs, rising and falling
orange merchants in spring's flowery markets!
messengers of March in warm currents of news floating,
   flitting into areas of aroma,
tracing out of air unseen roots and branches of sense
   I share in thought,
filaments woven and broken where the world might light
   casual certainties of me. There are

   echoes of what I am in what you perform
this morning. How you perfect my spirit!
   almost restore 
an imaginary tree of the living in all its doctrines
   by fluttering about,
intent and easy as you are, the profusion of you!
awakening transports of an inner view of things. 

(That's a terrible last line, isn't it?) And here is the poetic response of Alison Hawthorne Deming – a much better poem than the original, I would say:

The Monarchs, 58

   Sleep, Monarchs, rising and falling
with the wind, orange children tucked in your 
   winter bed,
teachers of patience and faith
   dreaming in the eucalyptus dark,
accumulating in your cells the photons that tell
you when to move, a sense
   I share in mind,
that makes the blue world
   light up, electric. It's too late

   to just let the world be and think
it will mend. Yet how you, little nothings, perfect
     my spirit!
   almost erasing
the actual ruin of living and all its doctrines
   with your evolved sleep –
delicate and frail as you are, the profusion of you
awakening in me soundings of the past
   that name the future.

Why the number? It turns out that this poem is number 58 in a sequence of 60 inspired by the extraordinary migration of the Monarch butterfly, and published under the title  The Monarchs: A Poem Sequence. So, there are 59 more Monarch poems out there...



Friday, 1 August 2025

Allan Ahlberg (and more Moore)

 Sad to hear the news that the children's author Allan Ahlberg has died, albeit at a ripe age (unlike his wife and collaborator Janet, who sadly died aged just 50). Between them the Ahlbergs created some of the best children's books of their time, several of them true classics which will surely endure as long as children's books are read: Each Peach Pear Plum, Peepo, Burglar Bill and Funnybones, at least. Later in his career he also wrote a rather wonderful autobiographical work, The Bucket: Memories of an Inattentive Childhood, in the crisp, never waste a word style of the children's books. 'My mother, who was not my mother, I see her now, her raw red cleaner's hands twisting away at her apron, as she struggled to speak. Adoption was a shameful business then in many people's eyes, the babies being mostly illegitimate' – as was Ahlberg, born in South London and taken by his adoptive parents to Oldbury in the West Midlands. His childhood there, loving but impoverished, is very much the one we see, in all its fondly recalled detail, in Peepo
  One of the pleasures of grandparenthood is sharing with the grandchildren books that we read to their parents, and it has been a joy rediscovering those Ahlberg classics. What a legacy Allan and Janet left. 

(And here, as an addendum to Wednesday's post, is Gerald Moore again, this time accompanying Janet Baker in Richard Strauss's beautiful 'Morgen', the last of his Four Last Songs