Johnson and The Vicar

 Last night I strayed from my usual listening home on Radio 3 to my former home, Radio 4, and was pleasantly surprised to find that the current Book at Bedtime is Oliver Goldsmith's The Vicar of Wakefield, one of those classics that these days hardly anybody actually reads – including, in this case, me, despite having taken a passing interest in the 18th-century sentimental novel. (Radio 4 has done this before, I seem to remember, with The Ingoldsby Legends and Annals of the Parish among others, and it's surely good that such titles are being kept alive. They're certainly an improvement on most of the contemporary fiction that gets broadcast on Radio 4.) 
  Samuel Johnson played an important, even dramatic part in getting The Vicar of Wakefield published. Here is his own account:

'I received one morning a message from poor Goldsmith that he was in great distress, and, as it was not in his power to come to me, begging that I would come to him as soon as possible. I sent him a guinea, and promised to come to him directly. I accordingly went as soon as I was dressed, and found that his landlady had arrested him for his rent, at which he was in a violent passion: I perceived that he had already changed my guinea, and had a bottle of Madeira and a glass before him. I put the cork into the bottle, desired he would be calm, and began to talk to him of the means by which he might be extricated. He then told me he had a novel ready for the press, which he produced to me. I looked into it and saw its merit; told the landlady I should soon return; and, having gone to a bookseller, sold it for sixty pounds [to Francis Newbery, nephew of the published John Newbery, who sat on it for nearly two years before publishing it]. I brought Goldsmith the money, and he discharged his rent, not without rating his landlady in a high tone for having used him so ill.'

[The painting above, depicting the scene, is attributed to Edward Matthew Ward, and hangs in Dr Johnson's House on Gough Square.] 

'Surely rather a striking tribute'

 I've been reading Wodehouse at bedtime – actually dipping into this volume – and this morning, browsing on Facebook, I came across a Wodehouse anecdote.  
  It seems that someone signing themselves 'Indignant' wrote a letter to the press attacking Wodehouse for being a vastly overrated writer. In his 1957 collection Over Seventy, Wodehouse responded to 'Indignant' by drawing his attention to a letter in the Times from a Mr Verrier Elwin of Patangarth, India, telling how a cow wandered into his home and, after due consideration, ate a copy of Carry On, Jeeves, selected from a shelf containing works by John Galsworthy, Jane Austen and T.S. Eliot. 'Surely rather a striking tribute,' Wodehouse remarks.

Hardy's Nocturnal Visitors

 Here is a little August nocturne by Thomas Hardy, a man who has been strangely present to me since my recent reading of Max Gate (in which he is, for the most part, strangely absent). Hardy's nocturnal visitors are a daddy-longlegs or crane fly (of which, fact fans, there are more species than there are of birds), an unspecified moth, and a dor beetle, an earth-boring dung beetle that takes to the air, clumsily and noisily, on warm summer evenings. 

An August Midnight

I

A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter—winged, horned, and spined—
A longlegs, a moth, and a dumbledore;
While ’mid my page there idly stands
A sleepy fly, that rubs its hands ...

II

Thus meet we five, in this still place,
At this point of time, at this point in space.
—My guests besmear my new-penned line,
Or bang at the lamp and fall supine.
“God’s humblest, they!” I muse. Yet why?
They know Earth-secrets that know not I.

Birthday Boy

 Well, I can't really let Tennyson's birthday go unmarked (he was born on this day in 1809, at the rectory of Somersby in the beautiful Lincolnshire Wolds). With all the talk of this Odyssey film (which I have no intention of seeing), surely it's got to be this:

Ulysses

It little profits that an idle king,

By this still hearth, among these barren crags,

Match'd with an aged wife, I mete and dole

Unequal laws unto a savage race,

That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink

Life to the lees: All times I have enjoy'd

Greatly, have suffer'd greatly, both with those

That loved me, and alone, on shore, and when

Thro' scudding drifts the rainy Hyades

Vext the dim sea: I am become a name;

For always roaming with a hungry heart

Much have I seen and known; cities of men

And manners, climates, councils, governments,

Myself not least, but honour'd of them all;

And drunk delight of battle with my peers,

Far on the ringing plains of windy Troy.

I am a part of all that I have met;

Yet all experience is an arch wherethro'

Gleams that untravell'd world whose margin fades

For ever and forever when I move.

How dull it is to pause, to make an end,

To rust unburnish'd, not to shine in use!

As tho' to breathe were life! Life piled on life

Were all too little, and of one to me

Little remains: but every hour is saved

From that eternal silence, something more,

A bringer of new things; and vile it were

For some three suns to store and hoard myself,

And this gray spirit yearning in desire

To follow knowledge like a sinking star,

Beyond the utmost bound of human thought.

         This is my son, mine own Telemachus,

To whom I leave the sceptre and the isle,—

Well-loved of me, discerning to fulfil

This labour, by slow prudence to make mild

A rugged people, and thro' soft degrees

Subdue them to the useful and the good.

Most blameless is he, centred in the sphere

Of common duties, decent not to fail

In offices of tenderness, and pay

Meet adoration to my household gods,

When I am gone. He works his work, I mine.

         There lies the port; the vessel puffs her sail:

There gloom the dark, broad seas. My mariners,

Souls that have toil'd, and wrought, and thought with me—

That ever with a frolic welcome took

The thunder and the sunshine, and opposed

Free hearts, free foreheads—you and I are old;

Old age hath yet his honour and his toil;

Death closes all: but something ere the end,

Some work of noble note, may yet be done,

Not unbecoming men that strove with Gods.

The lights begin to twinkle from the rocks:

The long day wanes: the slow moon climbs: the deep

Moans round with many voices. Come, my friends,

'T is not too late to seek a newer world.

Push off, and sitting well in order smite

The sounding furrows; for my purpose holds

To sail beyond the sunset, and the baths

Of all the western stars, until I die.

It may be that the gulfs will wash us down:

It may be we shall touch the Happy Isles,

And see the great Achilles, whom we knew.

Tho' much is taken, much abides; and tho'

We are not now that strength which in old days

Moved earth and heaven, that which we are, we are;

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield.

Missing Liddle already

 I see that my old university has given a professorship to a fantasist and plagiarist (both 'alleged', m'lud), for reasons that are all too painfully obvious. The story is still unfolding, in jaw-dropping detail, and will surely do real harm to Cambridge's reputation.
   One of Arday's outlandish Munchausenesque tales is that he once ran 600 miles in six days – and that reminded me of something I wrote about a while back: the six-day walk (and one George Hazel did indeed walk 600 miles in six days, back in 1882). 
   Among the many reasons to mourn the death of Rod Liddle, the nearest thing we had to a Swiftian journalist, is that we'll never read what he had to say on the Jason Arday story. It would surely have been choice. 

Dowson

 Born on this day in 1867 was Ernest Dowson, a minor poet, Decadent and doomed – but he left the English language three fine, musical phrases that have long survived him. I told the story in this post from fifteen(!) years ago...

Last?

 Every time I post about having seen my last swift of the year, I do so with an unspoken hope of tempting benign fate into granting me a further sighting, or maybe more. Sure enough, as I was sitting in the garden just now, I looked up and saw a pair of swifts flying over – a joyful sight. They've made it into August, hurrah! And already I'm wondering if those two really will be the last...