Birthdays

 Today is Mrs N's birthday – and that of the inventor of the piano, Bartolomeo Cristofori (born 1655). One of his pianos, built in Florence in 1720, survives in playable condition, and this is what it sounds like (the pianist is Dongsok Shin, and the piece is a Scarlatti sonata, K9). Having a wooden rather than a metal frame, a Cristofori piano is a delicate instrument, compared to what came later, but the action (a fiendishly complex affair) is essentially that of a modern piano...

Couples

 An interesting piece in The Times yesterday, about literary couples, i.e. cohabiting couples composed of two writers, each pursuing their own projects or, sometimes, collaborating. American examples include Paul Auster and Siri Hustvedt,  Joan Didion and John Gregory Dunne, Noah Baumbach and Greta Gerwig. From this side of the pond, Ted Hughes and Sylvia Plath of course, Claire Tomalin and Michael Frayn – and our old friend Kingsley Amis and his wife of 18 years, Elizabeth Jane Howard. Their honeymoon in Spain seems to have been positively idyllic, at least according to Howard: 'In the mornings we wrote sitting opposite each other at the table, our typewriters almost touching in the small space. Then we went to the beach...' 
 As we know, that happy time did not last, as Howard was soon struggling with the domestic demands of looking after the needy and demanding Amis – plus a house full of friends and family – and coping with his drinking. I've written about the Amises' life in their 'bloody great mansion' before, and the wonder is that Howard put up with it for as long as she did (and somehow managed to carry on writing). In happier times, I was interested to learn from the Times piece, she and Amis once 'decided to write a few pages of each other's novels'. The novels were Howard's After Julius and Amis's One Fat Englishman. They duly swapped manuscripts, briefed each other on where the plot was going, and set to work. According to Howard, the chapters that resulted from this work-swap experiment went unnoticed and unsuspected. I guess there's an opening there for a literary sleuth, armed with the latest tools of textual analysis – though perhaps there is more important work to be done...

'One of the most unmeddlesome of women'

 Having recently read Richard Holmes's excellent account of Tennyson's early years, The Boundless Deep, I was amused to come across this picture, in J.G. Riewald's Beerbohm's Literary Caricatures (a great book for browsing in). It shows Thomas Woolner, the only sculptor in the Pre-Raphaelite Brotherhood, sculpting his portrait bust of the still beardless Tennyson in 1857 – the bust that is now in Poets' Corner in Westminster Abbey. The caption reads: 

Mrs Tennyson: 'You know, Mr Woolner, I'm one of the most unmeddlesome of women; but – when (I'm only asking), when do you begin modelling his halo?'

'A single Hound'

 Consciousness. I know I have it, but have no idea what it is or where it comes from (nor does anyone else, whatever they may say). I am equally sure that I have a soul, but again have no idea what it is or where it comes from. Are consciousness and soul the same thing, or aspects of the same thing? Is soul perhaps a deeper form of consciousness, one that somehow connects with a reality beyond time and space? Both consciousness and soul seem identical with our ultimate selves. We inhabit consciousness, and infer everything else. 
  These are deep waters. Over to you, Emily Dickinson –

This Consciousness that is aware
Of Neighbors and the Sun
Will be the one aware of Death
And that itself alone

Is traversing the interval
Experience between
And most profound experiment
Appointed unto Men—

How adequate unto itself
Its properties shall be
Itself unto itself and none
Shall make discovery.

Adventure most unto itself
The Soul condemned to be—
Attended by a single Hound
Its own identity.

This poem was sent to me by my friend, the Emily Dickinson maven, who regards it as one of her most profound. I agree – it's a gem. 

Borges, Scott, Naipaul

This morning I took delivery of a new Panama hat, the old one having become an offence to the eye, and summer being in the offing. The new hat, I was delighted to note, was made by the firm of Borges & Scott – a nice literary double-act. Sadly, Jorge Luis had no connection with the hat-making dynasty, which is based in Ecuador, where they still make their hats by hand, weaving the narrow fibres of toquilla straw into cooling headgear. 
Then, this afternoon, I went with Mrs N to a hospital where she had an appointment with an eye specialist. He turned out to be called Mr Biswas. She didn't ask him if he'd got his own house yet.  

Changed

 Here, for no particular reason, is a poem by Charles Stuart Calverley which perfectly demonstrates what Pope called the art of sinking in poetry – also the perils of ending a stanza with a two-syllable line. 

Changed

    I know not why my soul is rack'd:
        Why I ne'er smile as was my wont:
    I only know that, as a fact,
            I don't.

    I used to roam o'er glen and glade
        Buoyant and blithe as other folk:
    And not unfrequently I made
            A joke.

    A minstrel's fire within me burn'd.
       I'd sing, as one whose heart must break,
   Lay upon lay: I nearly learn'd
           To shake.

   All day I sang; of love, of fame,
       Of fights our fathers fought of yore,
   Until the thing almost became
           A bore.

   I cannot sing the old songs now!
       It is not that I deem then low;
  'Tis that I can't remember how
           They go.

   I could not range the hills till high
       Above me stood the summer moon:
   And as to dancing, I could fly
           As soon.

   The sports, to which with boyish glee
       I sprang erewhile, attract no more;
   Although I am but sixty-three
           Or four.

   Nay, worse than that, I've seem'd of late
       To shrink from happy boyhood — boys
   Have grown so noisy, and I hate
           A noise.

   They fright me, when the beech is green,
       By swarming up its stem for eggs:
   They drive their horrid hoops between
           My legs: —

   It's idle to repine, I know;
       I'll tell you what I'll do instead:
   I'll drink my arrowroot, and go
           To bed.

Calverley was a noted university wit and a brilliant classicist who, uniquely, managed to win the Chancellor's Prize for Latin verse at Oxford (whence he was sent down for misbehaviour – he was an extremely high-spirited undergraduate) and Cambridge. He was a keen smoker, and wrote a heartfelt 'Ode to Tobacco'.

Caine

 It's not only the poets who are getting older (spoiler alert: we all are). Last night, for some reason, I was looking up Michael Caine, and discovered that he is all of 93. I've always liked Caine, who seems to be that rare thing among actors, a proper mensch, a regular guy. I wondered if he'd made an appearance on this blog – and sure enough he had, on this very day in 2009 (yes, the blog is that old, and older). Here's the post:

Quote of the Day

'We've got three and a half million layabouts laying about on benefits, and I'm 76, getting up at 6am to go to work to keep them.' Sir Michael Caine, telling it like it is.
The British 'welfare state' has turned into a national disaster, perpetuating poverty, idleness and dependence - at huge and ever-growing expense. It's a model that could only work in a nation with a strong, homogeneous identity and sense of common cause, and a strong work ethic. None of which apply to modern Britain.
See also De Tocqueville's Memoir on Pauperism, and Corelli Barnett's The Audit of War.

I rather hope Sir Michael is not taking too keen an interest in the state of the nation these days, when there are around ten million people of working age (not all layabouts, of course) on benefits – a situation that is in large part a legacy of the insane policy of 'lockdown'.
Don't tell Caine – it might finish him off.