The last day of April, and my first outing of the year to my favourite butterfly haunt in the Surrey Hills. I set out in sunshine but arrived, as often happens, in cloud, which only gradually gave way to intermittent sun. My hopes were not high, but when the weather conditions are like this it can work to the butterfly watcher's advantage: in the absence of sustained sunlight, the butterflies are sluggish, taking only short, energy-conserving flights, and settling readily. If they're flying at all, that is – and, praise be, they were.
It began when I all but trod on a basking Small Copper – and a very bright and beautiful one (with several more to follow). Then came my first Small Heaths of the year – always a cheering sight – and, soon after, the first of a dozen and more Dingy Skippers. A bit later, a little dull-looking moth-like thing settled nearby and I realised I'd just spotted my first Grizzled Skipper. I always forget just how tiny these little beauties are, and how their appearance in flight belies the beauty of their spread wings, dark brown spangled with creamy white and fringed
with tiny hairs. After that came one more gem – a Green Hairstreak, which posed perfectly with its emerald underwings on show.
This was followed by two more, both of which posed equally obligingly. I think that's as many Green Hairstreaks as I've ever seen in one year, let alone one day – and the same goes for the Grizzled Skippers (I saw four). A wonderfully rewarding day – and it means I've now seen sixteen species this year, before May! I don't think I've ever done that before.
I also saw – and managed to photograph – this beautifully marked moth, a Mother Shipton. It's so-called because each forewing carries what looks like the classic caricature profile of a witch,
all nose and chin. See her? She's looking down from the top edge of the wing...
Tuesday, 30 April 2019
Monday, 29 April 2019
Les Murray
The death of Les Murray, at the age of 80, robs Australia of her greatest, most distinctively Australian poet, and a giant literary figure. Like so many others, Murray wrote too much, but the energy, verve and bracing originality of his language seldom failed, and he embodied a unique vision: contrarian, conservative, cussed, of the earth earthy, but with the imagination of a true visionary – and, that rare thing among poets, a robust sense of humour.
With Easter a recent memory, how better to remember him than with his great poem, The Say-but-the-Word Centurion Attempts a Summary. (The link will take you there).
With Easter a recent memory, how better to remember him than with his great poem, The Say-but-the-Word Centurion Attempts a Summary. (The link will take you there).
Birthday Boy
Today the indestructible Wille Nelson celebrates his 86th birthday. Still performing, still touring, still growing that weirdly luxuriant hair, still (no doubt) smoking weed – his vitality is simply amazing. As well as having written and performed a string of classic songs, he also has the distinction of having successfully sued Price Waterhouse (for putting his money in illegal tax shelters – and thereby losing it). Here he is responding to reports of his death a couple of years ago... Happy birthday, Willie!
Saturday, 27 April 2019
Death of a Friend
A few days ago came the sad news that an old friend of mine – one who has made occasional appearances on this blog as the Sage of Tiverton – had died. He had been diagnosed with terminal cancer a year ago and more, and already outlived several predicted end-dates, so the news was not surprising, but there's something about even a long-projected death that always comes as a shock, a blow.
It was half a century ago now (half a century!) that our friendship blazed into life. It burned brightly for a few brief but intense years, until we went our separate ways and completely lost touch, only to meet again forty-odd years later. We were both still at school when we first met. He was a year younger than me, but had an attractive glamour and air of mystery about him, and when we began to spend time together, we got on like the proverbial house on fire. He lived in a large house, of which a downstairs front room was, enviably, his own domain. His mother was sometimes around, but his father had died a few years earlier, leaving behind him a large and impressive library, the other side of the hall from the cosy, spectacularly untidy den in which he and I would sit smoking, drinking exotic teas (his mother had an impressive range of leaves) and listening to music. We took particular pride, I remember, in building up a thick fug of smoke, taking care to conserve it and top it up as required. It would choke me now, but then it seemed the very stuff of autonomy and possibility, of new exciting horizons dimly glimpsed.
I remember also walking the streets with him in those days, often at remarkably high speed (both of us had a knack of moving our legs, and only our legs, extremely fast, while keeping hands in pockets and heads down). He often wore a green loden, or a black cape, and managed to get away with both. Sometimes we would descend on parties, and sometimes get thrown out, and he introduced me into a circle of friends who were, it seemed to me, even cooler and more glamorous than him – and some of them more criminally inclined; it was astonishing how much crime of all kinds went on in those circles, largely committed by the children of the nouveau riche bourgeoisie. Drugs were only a part of it. As he inducted me into that scene, my friend became the Withnail to my I, and I was happy with that role. They were heady times, and we sampled every consciousness-altering substance we could get our hands on. We talked and talked (and burbled) and shared memories and tastes and jokes and catchphrases.
So we became very close – it was love, of course, though neither of us would have dreamt of calling it that (and it was 'platonic') – and we stayed that way through my university years. By then, he (having dropped out of art college) was living in various more or less squalid 'pads' in London, and I was a frequent commuter between my college rooms and those pads (which I much preferred). We were by now heavily into drugs of various kinds, and at one point appeared in court together and were fined for our folly. I remember in my last term, when I'd cleared the decks to get down to some much-needed revision for my finals, he suddenly appeared, smiling broadly and waving a bag of raw opium. My revision plans went up, predictably, in smoke... He had a way of popping up like that, as if from nowhere, like Jeeves materialising at Bertie Wooster's side. I once woke in the small hours to find him sitting at the foot of my bed rolling a joint, having somehow beamed himself up from London.
By the end of university, I was sensing other endings – and beginnings – in my life, and over the following months an emotional tangle developed that could only be resolved, or so it seemed, by a clean break (or by acknowledging what was going on and talking openly about it – but something that obvious and uncool was clearly out of the question). Sometimes, as Tim Buckley says in Nobody Walkin', you gotta turn your back. It seemed the only way; at the time it probably was.
And so, for four decades, I saw nothing and heard nothing of my old friend, apart from the rumour that he had taken off to the foothills of the Himalayas to live the simple life. Over the years I often wondered what had become of him, what he was up to, if I might bump into him on the street. He continued to make occasional cameo appearances in my dreams, but I never seriously expected to see him again. Then, by way of another friend's chance meeting with another lost friend, I learned that he was alive and surprisingly well, and living, rather reluctantly, in Tiverton, having returned from years of travel and living abroad. He was open to seeing me and the other friend again, and so a reunion was arranged.
And there he was, my old friend, forty years on, his looks (and many of his teeth) gone, but beaming, arms outstretched, clearly delighted at this turn of events. Apart from his voice and his distinctive posture, he was quite unrecognisable – but the room in which he lived was instantly recognisable: it was essentially that fug-filled front room of yesteryear, strewn and piled with even more rubbish than the original (or indeed the Earl's Court room where we managed to fill a wide, deep club fender to the brim with fag-ends and roaches). He was still living the life he lived forty years ago, now fuelled by rum-and-water and heavy-duty dope (as we used to call it). Smiling beatifically, he sat cross-legged on the bed (or rather mattress) and surveyed the reunion with every sign of satisfaction. It was – for once the tired phrase is true – like walking back in time.
He had indeed been travelling, spending many years in India and Nepal, in Spain, France and the Low Countries (his mother was Belgian, and he could speak Flemish). At one time he had a small boat and would commute to and fro across the Channel, one hand on the tiller, the other on his bottle of rum. A natural sailor, he never came to grief. He had not pursued anything resembling a career; having a talent for drawing, he could always make a few bob whenever he needed to by selling sketches. He had formed no permanent partnership with anyone and had no family beyond a few nephews and nieces he cared about (his mother of course was long dead). He had made none of the familiar compromises that most of us make, just to get along in the world; he had lived on his own terms, and by and large it had worked out remarkably well. He had a good deal of charm, and wherever he lived – as in the Dickensian rooming house in Tiverton – he tended to form a little family around him, a kind of unofficial mutual aid society. It seemed to work.
I staggered away from that reunion determined to stay in contact, and the feeling was clearly mutual, as the old friendship flared back into life, if on a very much lower flame than before. We exchanged letters and mementoes, books and music, and texted frequently. Things were different of course, but it was good to be back in contact, on new, in some ways easier, terms. It felt good and right not to have lost touch entirely. The texts continued for a few years, but gradually petered out. Sometimes there was an angry, irascible tone in his communications, and this was something new. The friend who saw the most of him told me that he was becoming impossible, especially when drunk, and he was seeing less of him, being understandably fed up with making the effort to visit and then being roundly abused for his pains. I'm glad I never saw any of this, and on the last occasion I actually talked to him – by phone, having just heard of his initial cancer diagnosis – he was friendly enough. He was also commendably relaxed about the whole thing, having no complaints, and only hoping to die without being too much of a nuisance to anyone. I offered to visit, but I think we both knew that by then it wouldn't have been a great idea, so I never did see him – or that time-capsule room – again. The cancer took its course, but slowly and gently, and he seems to have managed his death as skilfully as his life, remaining in his own place, with ample supplies of morphine. When at length he died, his closest female friend was with him. It was a good death.
Despite his ambition to outlive him, he died before his musical hero Hal Blaine had joined the great celestial jam session – but there will be music enough. RIP, old friend.
It was half a century ago now (half a century!) that our friendship blazed into life. It burned brightly for a few brief but intense years, until we went our separate ways and completely lost touch, only to meet again forty-odd years later. We were both still at school when we first met. He was a year younger than me, but had an attractive glamour and air of mystery about him, and when we began to spend time together, we got on like the proverbial house on fire. He lived in a large house, of which a downstairs front room was, enviably, his own domain. His mother was sometimes around, but his father had died a few years earlier, leaving behind him a large and impressive library, the other side of the hall from the cosy, spectacularly untidy den in which he and I would sit smoking, drinking exotic teas (his mother had an impressive range of leaves) and listening to music. We took particular pride, I remember, in building up a thick fug of smoke, taking care to conserve it and top it up as required. It would choke me now, but then it seemed the very stuff of autonomy and possibility, of new exciting horizons dimly glimpsed.
I remember also walking the streets with him in those days, often at remarkably high speed (both of us had a knack of moving our legs, and only our legs, extremely fast, while keeping hands in pockets and heads down). He often wore a green loden, or a black cape, and managed to get away with both. Sometimes we would descend on parties, and sometimes get thrown out, and he introduced me into a circle of friends who were, it seemed to me, even cooler and more glamorous than him – and some of them more criminally inclined; it was astonishing how much crime of all kinds went on in those circles, largely committed by the children of the nouveau riche bourgeoisie. Drugs were only a part of it. As he inducted me into that scene, my friend became the Withnail to my I, and I was happy with that role. They were heady times, and we sampled every consciousness-altering substance we could get our hands on. We talked and talked (and burbled) and shared memories and tastes and jokes and catchphrases.
So we became very close – it was love, of course, though neither of us would have dreamt of calling it that (and it was 'platonic') – and we stayed that way through my university years. By then, he (having dropped out of art college) was living in various more or less squalid 'pads' in London, and I was a frequent commuter between my college rooms and those pads (which I much preferred). We were by now heavily into drugs of various kinds, and at one point appeared in court together and were fined for our folly. I remember in my last term, when I'd cleared the decks to get down to some much-needed revision for my finals, he suddenly appeared, smiling broadly and waving a bag of raw opium. My revision plans went up, predictably, in smoke... He had a way of popping up like that, as if from nowhere, like Jeeves materialising at Bertie Wooster's side. I once woke in the small hours to find him sitting at the foot of my bed rolling a joint, having somehow beamed himself up from London.
By the end of university, I was sensing other endings – and beginnings – in my life, and over the following months an emotional tangle developed that could only be resolved, or so it seemed, by a clean break (or by acknowledging what was going on and talking openly about it – but something that obvious and uncool was clearly out of the question). Sometimes, as Tim Buckley says in Nobody Walkin', you gotta turn your back. It seemed the only way; at the time it probably was.
And so, for four decades, I saw nothing and heard nothing of my old friend, apart from the rumour that he had taken off to the foothills of the Himalayas to live the simple life. Over the years I often wondered what had become of him, what he was up to, if I might bump into him on the street. He continued to make occasional cameo appearances in my dreams, but I never seriously expected to see him again. Then, by way of another friend's chance meeting with another lost friend, I learned that he was alive and surprisingly well, and living, rather reluctantly, in Tiverton, having returned from years of travel and living abroad. He was open to seeing me and the other friend again, and so a reunion was arranged.
And there he was, my old friend, forty years on, his looks (and many of his teeth) gone, but beaming, arms outstretched, clearly delighted at this turn of events. Apart from his voice and his distinctive posture, he was quite unrecognisable – but the room in which he lived was instantly recognisable: it was essentially that fug-filled front room of yesteryear, strewn and piled with even more rubbish than the original (or indeed the Earl's Court room where we managed to fill a wide, deep club fender to the brim with fag-ends and roaches). He was still living the life he lived forty years ago, now fuelled by rum-and-water and heavy-duty dope (as we used to call it). Smiling beatifically, he sat cross-legged on the bed (or rather mattress) and surveyed the reunion with every sign of satisfaction. It was – for once the tired phrase is true – like walking back in time.
He had indeed been travelling, spending many years in India and Nepal, in Spain, France and the Low Countries (his mother was Belgian, and he could speak Flemish). At one time he had a small boat and would commute to and fro across the Channel, one hand on the tiller, the other on his bottle of rum. A natural sailor, he never came to grief. He had not pursued anything resembling a career; having a talent for drawing, he could always make a few bob whenever he needed to by selling sketches. He had formed no permanent partnership with anyone and had no family beyond a few nephews and nieces he cared about (his mother of course was long dead). He had made none of the familiar compromises that most of us make, just to get along in the world; he had lived on his own terms, and by and large it had worked out remarkably well. He had a good deal of charm, and wherever he lived – as in the Dickensian rooming house in Tiverton – he tended to form a little family around him, a kind of unofficial mutual aid society. It seemed to work.
I staggered away from that reunion determined to stay in contact, and the feeling was clearly mutual, as the old friendship flared back into life, if on a very much lower flame than before. We exchanged letters and mementoes, books and music, and texted frequently. Things were different of course, but it was good to be back in contact, on new, in some ways easier, terms. It felt good and right not to have lost touch entirely. The texts continued for a few years, but gradually petered out. Sometimes there was an angry, irascible tone in his communications, and this was something new. The friend who saw the most of him told me that he was becoming impossible, especially when drunk, and he was seeing less of him, being understandably fed up with making the effort to visit and then being roundly abused for his pains. I'm glad I never saw any of this, and on the last occasion I actually talked to him – by phone, having just heard of his initial cancer diagnosis – he was friendly enough. He was also commendably relaxed about the whole thing, having no complaints, and only hoping to die without being too much of a nuisance to anyone. I offered to visit, but I think we both knew that by then it wouldn't have been a great idea, so I never did see him – or that time-capsule room – again. The cancer took its course, but slowly and gently, and he seems to have managed his death as skilfully as his life, remaining in his own place, with ample supplies of morphine. When at length he died, his closest female friend was with him. It was a good death.
Despite his ambition to outlive him, he died before his musical hero Hal Blaine had joined the great celestial jam session – but there will be music enough. RIP, old friend.
Friday, 26 April 2019
Let Nature Sing
What better way to expunge all memories of Whistling Jack Smith than to listen to Let Nature Sing, the birdsong single released today by the RSPB. The sounds are beautiful (and beautifully arranged), the images are amazing, and the alarmist message is, I suppose, forgivable in the circumstances.
You can find Let Nature Sing here –
https://www.birdguides.com/news/rspb-its-time-to-let-nature-sing/
You can find Let Nature Sing here –
https://www.birdguides.com/news/rspb-its-time-to-let-nature-sing/
Wednesday, 24 April 2019
The Enigma of Whistling Jack Smith
Last night's Front Row (Radio 4's Yarts magazine) included a sublimely uninteresting piece on Joe Orton's record collection. It seems that, despite having an irreproachably 'queer ear' (i.e. penchant for musicals and torch songs), Orton's taste in pop music was disappointingly mainstream. In the Summer of Love, he even bought Engelbert Humperdinck's Release Me, thereby helping to keep the Beatle's Penny Lane/ Strawberry Fields for Ever off the Number One spot. Orton disliked Dylan, preferring Donovan (yes, really), so it seems he was not a man of sound judgment in this field. He also appears to have had a taste for novelty singles: one of the records mentioned in the Front Row report was I Was Kaiser Bill's Batman by Whistling Jack Smith.
Whistling Jack Smith! (I borrow this formulation from Osbert Sitwell, who begins each of the biographical essays in Noble Essences thus – 'Ronald Firbank!', 'Edmund Gosse!', etc). Inasmuch as I'd ever thought about Whistling Jack Smith, I'd vaguely imagined him as one of those Sixties survivors still clinging on to some kind of career – a sad and haunted man with the remnants of a Beatles haircut and a grubby faux-Victorian military tunic, wetting his whistle in a seedy Brighton pub before shambling up to the mike and delivering yet again his single imperishable hit. Not so, it seems.
Whistling Jack was indeed the ultimate one-hit wonder – I Was Kaiser Bill's Batman reached number five in the UK charts in 1967, and that was that – but who was he? The question is not easily answered. It is generally agreed that the siffleur on the single was John O'Neill, a trumpeter and vocalist with the Mike Sammes Singers, but others press the claim of record producer Noel Walker. John O'Neill's Wikipedia entry has the look of an epistemological battlefield, and is hedged about with editorial warnings. What seems certain is that O'Neill was paid a flat fee for his efforts, and never got a penny more. Worse, when the single was performed on Top of the Pops, it was whistled – or rather mimed – not by O'Neill but by an actor known as Coby Wells, who subsequently toured as Whistling Jack Smith. John O'Neill continued with the Mike Sammes Singers, who, among other things, later contributed to the strange goings-on in the background of The Beatle's I Am the Walrus. They chanted, under George Martin's guidance, choruses of 'ho ho ho, ha ha ha, he he he', 'oompah oompah, stick it up your jumper' and 'everybody's got one'. Heady times.
In case you have forgotten the pernicious earworm that was I Was Kaiser Bill's Batman, here it is, performed on this occasion by John O'Neill. I think.
Whistling Jack Smith! (I borrow this formulation from Osbert Sitwell, who begins each of the biographical essays in Noble Essences thus – 'Ronald Firbank!', 'Edmund Gosse!', etc). Inasmuch as I'd ever thought about Whistling Jack Smith, I'd vaguely imagined him as one of those Sixties survivors still clinging on to some kind of career – a sad and haunted man with the remnants of a Beatles haircut and a grubby faux-Victorian military tunic, wetting his whistle in a seedy Brighton pub before shambling up to the mike and delivering yet again his single imperishable hit. Not so, it seems.
Whistling Jack was indeed the ultimate one-hit wonder – I Was Kaiser Bill's Batman reached number five in the UK charts in 1967, and that was that – but who was he? The question is not easily answered. It is generally agreed that the siffleur on the single was John O'Neill, a trumpeter and vocalist with the Mike Sammes Singers, but others press the claim of record producer Noel Walker. John O'Neill's Wikipedia entry has the look of an epistemological battlefield, and is hedged about with editorial warnings. What seems certain is that O'Neill was paid a flat fee for his efforts, and never got a penny more. Worse, when the single was performed on Top of the Pops, it was whistled – or rather mimed – not by O'Neill but by an actor known as Coby Wells, who subsequently toured as Whistling Jack Smith. John O'Neill continued with the Mike Sammes Singers, who, among other things, later contributed to the strange goings-on in the background of The Beatle's I Am the Walrus. They chanted, under George Martin's guidance, choruses of 'ho ho ho, ha ha ha, he he he', 'oompah oompah, stick it up your jumper' and 'everybody's got one'. Heady times.
In case you have forgotten the pernicious earworm that was I Was Kaiser Bill's Batman, here it is, performed on this occasion by John O'Neill. I think.
Monday, 22 April 2019
Auberon Waugh, Novelist: 3.
Having read and written about Waugh's first two novels, I move on, inevitably, to his third, Who Are the Violets Now? Published in 1965, this is, I'd say, just about the best of the three, and the funniest (if you like your comedy dark). Like his father, Waugh was particularly adept at cutting away extraneous connective tissue, and here he exercises that talent to brilliant effect. Who Are the Violets Now? is less ambitious than The Foxglove Saga, and the canvas is less crowded than Path of Dalliance. The result is a structural elegance that, most of the time, matches the characteristic elegance of Waugh's prose.
Once again a young, ineffective hero is at the centre of the action – but this one, Arthur Friendship, is also highly idealistic, remarkably innocent and romantic when it comes to girls, and, on one occasion at least, genuinely heroic (the attempted rescue of a child from a house fire leaves him badly burned and hospitalised). Friendship (as I've mentioned before) works for Woman's Dream magazine, while himself dreaming of higher things, working voluntarily for a left-wing peace organisation, and worshipping from afar the beautiful Elizabeth Pedal. He lives, as many did in those far-off days, in a boarding house, where one of his fellow tenants is the wholly amoral chancer Ferdie Jacques, who is also involved in the peace organisation, and indeed lands a job working for its urbane, devastatingly charismatic leader, Mr Besant, a man who appears to be on close terms with all the great and good, and who daily expects nuclear annihilation. Indeed, as becomes clear, he rather relishes the prospect, the destruction of humanity being the ultimate manifestation of Peace.
Waugh has much fun with the antics of the peace organisation, its inane discussions, and its amateurish attempts to foment trouble in this or that cause, 'colour prejudice' being the latest. A visiting black American writer called Mr Gray gives a speech in which he assures his bemused but admiring audience that 'You can do NOTHING. Everything the white man can do has been done. You have enslaved a continent and exploited an entire race. Now is the time for other people to be doing things.' That sounds very 21st-century.
The plot bowls along very entertainingly, with frequent laughs, towards a farcical climactic scene at the Savoy, where, in a grand ceremony, Mr Besant is presented with the Cheese of Peace. What happens next reveals the more than surprising true identity of Mr Besant, and brings Arthur Friendship's pursuit of Elizabeth Pedal to a very definite end. I'm not sure the ending entirely works: neat though it undoubtedly is, it feels hurried – but I'm not complaining. This was a thoroughly enjoyable read, full of cherishable scenes, and I'm already looking forward to the next stage of my journey through Auberon Waugh's undeservedly forgotten novels. Two to go now...
Once again a young, ineffective hero is at the centre of the action – but this one, Arthur Friendship, is also highly idealistic, remarkably innocent and romantic when it comes to girls, and, on one occasion at least, genuinely heroic (the attempted rescue of a child from a house fire leaves him badly burned and hospitalised). Friendship (as I've mentioned before) works for Woman's Dream magazine, while himself dreaming of higher things, working voluntarily for a left-wing peace organisation, and worshipping from afar the beautiful Elizabeth Pedal. He lives, as many did in those far-off days, in a boarding house, where one of his fellow tenants is the wholly amoral chancer Ferdie Jacques, who is also involved in the peace organisation, and indeed lands a job working for its urbane, devastatingly charismatic leader, Mr Besant, a man who appears to be on close terms with all the great and good, and who daily expects nuclear annihilation. Indeed, as becomes clear, he rather relishes the prospect, the destruction of humanity being the ultimate manifestation of Peace.
Waugh has much fun with the antics of the peace organisation, its inane discussions, and its amateurish attempts to foment trouble in this or that cause, 'colour prejudice' being the latest. A visiting black American writer called Mr Gray gives a speech in which he assures his bemused but admiring audience that 'You can do NOTHING. Everything the white man can do has been done. You have enslaved a continent and exploited an entire race. Now is the time for other people to be doing things.' That sounds very 21st-century.
The plot bowls along very entertainingly, with frequent laughs, towards a farcical climactic scene at the Savoy, where, in a grand ceremony, Mr Besant is presented with the Cheese of Peace. What happens next reveals the more than surprising true identity of Mr Besant, and brings Arthur Friendship's pursuit of Elizabeth Pedal to a very definite end. I'm not sure the ending entirely works: neat though it undoubtedly is, it feels hurried – but I'm not complaining. This was a thoroughly enjoyable read, full of cherishable scenes, and I'm already looking forward to the next stage of my journey through Auberon Waugh's undeservedly forgotten novels. Two to go now...
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