‘The history of Waterloo field is to be ploughed and sowed and reaped and mowed: yet once in
a way these acts of husbandry were diversified with a great battle, where hosts decided the fate of
empires. After that agriculture resumed its sullen sway.’
The young Thomas Hardy copied this passage from Charles Reade into his notebooks. No doubt it was still in his mind when, years later, he wrote his great and justly famous poem of wartime, In Time of 'The Breaking of Nations'...
The young Thomas Hardy copied this passage from Charles Reade into his notebooks. No doubt it was still in his mind when, years later, he wrote his great and justly famous poem of wartime, In Time of 'The Breaking of Nations'...
I
Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.
II
Only thin smoke without flame
From the heaps of couch-grass;
Yet this will go onward the same
Though Dynasties pass.
III
Yonder a maid and her wight
Come whispering by:
War’s annals will cloud into night
Ere their story die.
Hardy takes his 'breaking of nations' theme from Jeremiah: 'Thou art my battle axe and weapons of war: for with
thee will I break in pieces the nations, and with thee will I destroy kingdoms.' This chimes with a passage in Les Murray's wonderful poem, The Say-But-The-Word Centurion Attempts a Summary (which Bryan A commends in a recent tweet):
'If death is now the birth-gate into things unsayable
in language of death's era, there will be wars about religion
as there never were about the death-ignoring Olympians...'
Too sadly true. Read the whole poem here, and marvel. Bryan calls it the best argument for Christian belief he has ever read. If this is true, it is surely because it is less an argument than a dazed recognition.
'If death is now the birth-gate into things unsayable
in language of death's era, there will be wars about religion
as there never were about the death-ignoring Olympians...'
Too sadly true. Read the whole poem here, and marvel. Bryan calls it the best argument for Christian belief he has ever read. If this is true, it is surely because it is less an argument than a dazed recognition.
English composer Gerald Finzi set "Only a man harrowing clods..." in his 1923 Requiem da Camera, dedicated to his teacher, the composer Ernest Farrar who died in the First World War.
ReplyDeleteEnglish composer Gerald Finzi set "Only a man harrowing clods..." in his 1923 Requiem da Camera, dedicated to his teacher, the composer Ernest Farrar who died in the First World War.
ReplyDeleteThanks Pam - a lovely setting it is too (I've just been listening to it on the wondrous YouTube)...
ReplyDelete