Wednesday, 7 March 2012

Thriving

It's good to read that goldfinches are thriving in the nation's gardens. These delightful birds are very numerous down my way, and always a joy to see - but they rarely appear at my garden bird feeders. Perhaps, like other smaller species, they're scared away by the gang of house sparrows that does its noisy, boisterous best to monopolise the garden food supply. Happily the sparrows are such messy eaters that the ground-feeding dunnocks, blackbirds, wood pigeons and collared doves (and the odd song thrush) all benefit from their litter. Starlings - which, like house sparrows, are in national decline - feed almost as enthusiastically, and can hold their own against most competitors. But all retreat from the scene when the ring-necked parakeets swoop down and latch themselves on to the feeders until they've had their (very substantial) fill. The exotic parakeets - greedy and insolent birds with nerves of steel and ugly shrieking voices - are not in the Garden Birdwatch Top 20, but, given the rate at which they're spreading, I fancy they will be before long. I'd sooner have goldfinches any day.

Born a Classic

In the unlikely event that he'd lived so long, the singer-songwriter Townes Van Zandt would have been 68 today. For most of his life - outlined here (and it makes pretty grim reading) - he seems to have been hell bent on self-destruction, both personal and professional. But happily for us he found the time to write some seriously great songs along the way. Here he is in 1993 performing the greatest of them all - the immortal Pancho and Lefty, about which Van Zandt said, 'I realise that I wrote it, but it's hard to take credit for the writing, because it came from out of the blue. It came through me.' That's easy to believe; it's one of those songs that seem to have been around for ever - it was born a classic.

Tuesday, 6 March 2012

A Rare Foray into World Affairs

As regular readers will know, I prefer not to pay too much heed to World Affairs - there are more than enough bloggers sounding off on such matters already. However, it has been impossible to escape the relentless bombardment of news and comment (often indistinguishable) on the sorry business unfolding in Syria. I can't help feeling that a lot of needless suffering would be avoided if the well-meaning, soft-hearted 'West' and its media turned their attention away from Syria for a while and stopped giving the impression that, if 'we' were allowed to, we'd be in there helping these warriors for freedom to overthrow the Assad regime. We wouldn't and we couldn't, and, what's more, we know very little about who these 'freedom fighters' are, or how widespread their support in Syria is (the fact that they're backed by Saudi Arabia and Qatar and have links to Al Qa'eda suggests there might be something a little amiss with their credentials). Assad is a bastard leading a regime of even worse bastards, but I confidently predict that that regime of bastards will still be in place at the end of the year, and I equally confidently state that any likely replacement regime would be far worse. Better an authoritarian pluralist secular Syria than an authoritarian Islamist Syria - better specifically for the Christians and other minorities, and better, vastly better for the whole region. So I wish the western commentariat would calm down and stop demanding that 'we must do something'. With a country as big and powerful as Syria, 'we' can do nothing, and we should stop pretending otherwise. It only makes matters worse.

Monday, 5 March 2012

Silken Strings

I see that those tireless orb-weaving spiders have been put to good use again. The fine strong silk that created the V&A's wondrous golden cape has now been used, on a much smaller scale, to produce violin strings - strings which, though less tough than gut, are tougher than modern metal-and-nylon strings. And they sound rather lovely - have a listen here... It seems we're going to have a long wait for the spider-silk suspension bridge (imagine that, swaying in the wind) - but meanwhile we're getting some rather beautiful things from our arachnid friends. What will it be next, I wonder - a cravat, perhaps? That wouldn't take those orb-weavers too long...

Sunday, 4 March 2012

'One was a good deal cut up by the war...'

'As the rockets went up from either trench I saw the cornflowers thick and tall round me, covering with burial flowers so blue and hopeful the poor crumpled form of some enemy, who had been there long dead, for whom Ezekiel wrote an epitaph in the days past "Son of man, can these bones live?"'
That striking passage, reporting a first excursion into No Man's Land, is in a letter written from the front in August 1915 by Ivy Compton-Burnett's brother Noel. Here he is again, calmly describing a bombardment a few days ahead of the Battle of Loos:
'For one minute, lying alone together and close we seemed in the midst of a flaming fiery furnace, or like one of those immaculate heroes who stand in a perfect hail of missiles to advertise Dri-ped shoes or some military tailor. But really no shell came within 30 yds and soon they got more distant. I feel something of the fascination of modern war - this strife of midgets who hurl the thunderbolt...'
'The noise is rather a bore,' he continues coolly. 'Will you get me the Mallock Armstrong Ear-Defender 4s...'
Noel Compton-Burnett, who was a popular Fellow of King's with vague literary ambitions, died in the first assault on Mametz Wood on 14 July, 1916. 'It quite smashed my life up,' recalled Ivy years later in a rare moment of frankness.
Noel's death was but one of a succession of blows that rained down on Ivy in the years following the death of her beloved father: the death of her favourite brother from influenza (pre-war); the decline and death of her emotionally tyrannous mother (whom Ivy succeeded all too well as domestic tyrant); the loss of Noel, who was all in all to her; her own near death from influenza, post-war; and the death of her two youngest sisters, in an apparent suicide pact. 'One was a good deal cut up by the war; one's brother was killed, and one had family troubles,' as she would put it, with masterly understatement, when asked what happened in the 14 years between her first novel and her (entirely different) second one.
Hilary Spurling's brilliant page-turner of a biography, Ivy When Young, which I have just finished, leaves its subject in 1919, with the first beginnings of her creative 'awakening' just apparent. I fear I might have to read the second volume. But not yet, not yet...

Friday, 2 March 2012

Dorsey Redivivus

Summing up 1967 - you know, Summer of Love, San Francisco (be sure to wear flowers in your hair), Monterey festival, Purple Haze, Cream, Velvet Underground's first, Strange Days, John Wesley Harding - the British music press spoke with one voice: It was, they declared, the year of Engelbert Humperdinck. The Hump's smooth ballad stylings had indeed dominated the charts to the extent that the great crooner (born Arnold Dorsey) even kept Strawberry Fields/Penny Lane off the Top Spot. And now, it seems, it is again the Year of Engelbert Humperdinck: he has been chosen to represent the United Kingdom at the Eurovision Song Contest in Baku, that jewel of the Caspian Sea. This is immensely heartening news, suggesting that at last we've got the hang of Eurovision and stopped regarding it as some kind of song contest or as something worth winning, except as a rather good joke. I'm only sorry that this versatile songster, who dominated the 1965/6 charts to an almost Engelbertian extent, was overlooked. Maybe next year?

Thursday, 1 March 2012

Happy Birthday, Mr Wilbur

Today is the 91st birthday of the great American poet and translator Richard Wilbur - who, happily, is still with us.
He has been remarkably prolific (by modern standards) and at times his extraordinary fluency and mastery of form could seem almost facile, but when he is in full flow, his imagination fully engaged, he is surely among the greats. As in this moving and brilliantly achieved poem, on a theme which in lesser hands might be merely banal, but here is spun into something new and quite startlingly beautiful...

The Writer

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back,
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten. I wish
What I wished you before, but harder.