and I make no apology for returning to this image of the Crucifixion, which hangs in San Sebastanio in Venice, where I was admiring it just six months ago.
The grand Veronese exhibition is under way now at the National Gallery and is attracting rave reviews (as are the Matisse cut-outs at Tate Modern). Perhaps this will be the year when Veronese's artistic reputation returns to the stratospheric level where it belongs - as even the above 'minor' work I think demonstrates.
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