Tuesday 21 February 2023

Clemence

 Clemence Dane (born Winifred Ashton), a playwright and novelist very successful in her time, was born on this day in 1888. Despite being a prolific screenwriter, she seems to have remained (as her rather sweet features suggest) one of life's innocents. In his cheering memoir, Life's Rich Pageant, Arthur Marshall recalls her...

'The physical side of life had passed her by, together with the words, slang and otherwise, that accompany it. She had no idea at all why people laughed, or tried tactfully to conceal laughter, as time and time again she settled for an unfortunate word or phrase. Inviting Mr Coward to lunch during the war when food was difficult, she boomed encouragement down the telephone: 'Do come! I've got such a lovely cock.' ('I do wish you'd call it a hen,' Noel answered.) Asking her friend, Olwen, what she had secured for a summer picnic, she was heard to yell up the stairs, 'Olwen, have you got crabs?'... To use correctly, in a literary sense, the words 'erection', 'tool' and 'spunk' was second nature to her. When wishing to describe herself as being full of life and creative energy, she chose, not really very wisely, the word 'randy'. To hear a large and imposing women of fifty announcing to a roomful of actors that she felt randy was really something. She never cottoned on to the fact that the name 'John Thomas' had a hidden significance, and she was heard one day expatiating about the different sides to a person's nature: 'Yes, every man has three John Thomases - the John Thomas he keeps to himself, the John Thomas he shares with his friends, and the John Thomas he shows to the world.' 'Of course, Winifred,' people said, when they could speak.'

[Readers with remarkable powers of memory might notice that this is the substance of a post I put up on this date in 2010 – thirteen years ago! How long has this blog been going on? Very nearly fifteen years, I discover on consulting the archive, and this is post number 4,236. Blimey.]

2 comments:

  1. Synchronicity strikes again -- I watched A Bill of Divorcement (Barrymore, Hepburn; 1931) just the night before you posted this. Based on a play of hers. I'd seen it before. John Barrymore's character is introduced, ten minutes in, as a picture in a frame: left profile, befitting his nickname.

    And not a month ago I re-watched St. Martin's Lane (Laughton, Leigh; 1937), screenplay co-written by C.D., a keep-your-tear-stained-chin-up pic about buskers, with a few tantalizing looks at the genuine article.

    [I had forgotten your 13-years-back post. Remarkably.]

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